Caravaggio – Cupid as Victor - ART@Berlin (2024)

Caravaggio – Cupid as Victor - ART@Berlin (1)

Artist

Michelangelo Merisi da Caravaggio was named after the place his parents originated from, Caravaggio in Milano. He was born on September 29, 1571 and died on July 18, 1610 in Porto Ercole on Monte Argentario. Caravaggio was an Italian painter in the early Baroque era. His image composition was new for his time and unusually realistic. Caravaggio became a legend because of his rise from poverty to being a sought after artist and then being banned into exile for manslaughter. Then dying at the young age of 39.

Artwork

„Amor vincit omnia“ is the latein name for this piece. It means: Love wins over everything. The painting measures 113.3 x 156.5 cm (width x height). It was created around 1601/02 and belongs to the state museums in Berlin since 1815.

Brief description

The specific focus was on the use of light and shade causing the painting to seem plastic, showing a naked and winged cupid embodied by a young boy. His pose is lighthearted and playful. His leg is placed at an angle, while his body is leaning against a globe, almost fully covered by a sheet. Beneath Cupid lies a musical instrument, a compos, and a part of armor, a quill and other attributes that were placed carelessly on the floor. Cupid is looking at the observer of the painting. His smile plays around his slightly opened mouth. In his hands there are two darts. A red one, to trigger the feelings of love, and a black one to destroy them.

Genre & Material

Painting in Baroque era. Oil painting on a canvas.

Where can I find this in Berlin?

In the Gemäldegalerie at the Kulturforum Potsdamer Platz, Matthäikirchplatz, 10785 Berlin. To find out how to get there, please click the link below the description.

Caravaggio is said to be the master of light and shade like how his piece “Amor vincit Omnia” or “Cupid as victor” undoubtedly proves. The specific focus was on the use of light and shade causing the painting to seem plastic, showing a naked and winged cupid embodied by a young boy. His pose is lighthearted and playful. His leg is placed at an angle, while his body is leaning against a globe, almost fully covered by a sheet. Beneath Cupid lies a musical instrument, a compos, and a part of armor, a quill and other attributes that were placed carelessly on the floor. Cupid is looking at the observer of the painting. His smile plays around his slightly opened mouth. In his hands there are two darts. A red one, to trigger the feelings of love, and a black one to destroy them.

Caravaggio is still the archetype of a wicked artist. His moving life, which ended at 39, played a significant role in his legend. Caravaggio’s rise from being an impoverished painter to a sought after artist in the inner circle of the Roman Cardinal was abruptly interrupted when the state of Rom sent him into exile because of alleged man slaughter. He was appointed Knight of the Order of the Knights of St. John. Shortly after, he had to flee from Malta yet again after a severe confrontation. He died in Naples at the age of 39, waiting for the annulment of his ban from Rom. He possibly died of the so-called “painter illness”, which is a kind of poisoning of lead and other toxics paint contains. The toxins can cause serious bodily harm if used carelessly.

Hier geht eszu dem Museum in Berlin, in dem Sie dieses Meisterwerk finden

ART@Berlin:Caravaggio – Cupid as Victor

Partner

Founded in 1696, the Akademie der Künste (Academy of Arts) in Berlin is one of the oldest cultural institutes in Europe. This international community of artists currently has about 400 members and includes the sections fine arts, architecture, music, literature, performing arts, as well as film and media art. Exhibitions, concerts, debates, readings, award ceremonies, film, theater and dance performances are organized here. In addition to the main building, the Akademie der Künste at Hanseatenweg is also an important location for exhibitions, events and meetings. This one includes the various archive buildings with their important collections. The prominent position of the Akademie der Künste at Pariser Platz in Berlin-Mitte, between Hotel Adlon and Brandenburger Tor (Brandenburg Gate), additionally underlines the relevance of this institution in Berlin. The building is barrier-free. Photo: Stephanie Schneider © ART at Berlin: Art in Berlin: Akademie der Künste Pariser PlatzPariser Platz 4, 10117 Berlin-MitteAkademie der Künste Pariser PlatzContemporary ArtPresented: G-Sponsors

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The Bröhan Museum is one of the leading museums for Art Nouveau, Art Deco and Berlin Secession. In addition to the museum’s collection, visitors can also take a closer look at this popular art form through changing exhibitions. The museum is located in Schloßstraße in Berlin-Charlottenburg. To our exhibitions Photo: Martin Adam, Berlin © ART@Berlin:Art in Berlin – Bröhan MuseumSchloßstraße 1, 14059 Berlin-CharlottenburgBröhan MuseumArchitectureArt Nouveau/Art DecoHandicraftPaintingPeriods:Presented: G-SponsorsSculpture

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KW Institute for Contemporary Art aims to approach the central questions of our times through the production, display, and dissemination of contemporary art. Since its inception, 25 years ago, KW has established itself, not only as an institution, but also as a dynamic and lively space for progressive practices within the Berlin art scene, as well as in an international context. By means of exhibitions and various event formats, KW has aligned itself towards the current tendencies of the national and international art and cultural discourse, and has actively developed them on a collaborative level with artists, institutions, and by means of commissioned works. As an institution for contemporary art without a collection of its own, the team at KW maintains a high degree of flexibility in creating its programs and addressing its audience. Under the responsibility of director Krist Gruijthuijsen, the current program evolves around the central objective of using the participating artists’ perspective as a starting point, entailing their subjects and points of view as ways to reflect on social and political issues. The institution is thereby conceived as a social space that facilitates contemplation and exchange between different protagonists and cultures, consistently challenging its audience. The building […]Auguststraße 69, 10117 Berlin-MitteKW Institute for Contemporary Art10. Berlin BiennaleContemporary ArtFeatured: Featured cultural institutionsPresented: G-Sponsors

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Kunsthaus Dahlem is an exhibition venue for postwar German modernism (East and West). It is administered and operated by Atelierhaus Dahlem, a non-profit subsidiary of the Bernhard Heiliger Foundation founded in 2013.Located at the edge of the Grunewald, the building was open as an exhibition venue in summer 2015 after a renovation and dismantling in accordance with historic preservation standards. There will also be a permanent exhibition on the building’s eventful history, free-of-charge to visitors.One essential area of concentration of the exhibition venue is the presentation of sculpture, supplemented by painting, prints and drawings, and photography. It focuses in particular on the years from 1945 to 1961. The museum is located on Käuzchensteig in Berlin-Dahlem. Photo:Kunsthaus Dahlem, Foto: Jürgen Pleuser, 2015. ART at Berlin: Art Museumin BerlinKunsthaus DahlemKäuzchensteig 8, 14195 BerlinKunsthaus DahlemModernismPeriods:Presented: G-Sponsors

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The Verein Berliner Künstler (VBK) House of Artists – more than a gallery – is a self-governing and independent association of visual artists living and / or working in Berlin. The club’s own gallery on Schöneberger Ufer acts as a platform for various exhibition formats and discourse events. In addition, the VBK cooperates with national and international organizations and implements art projects in Germany and abroad. Founded in 1841, the VBK is the oldest association of artists in Germany and currently represents 120 active members. The Galerie Verein Berliner Künstler is located at Schöneberger Ufer 57 Berlin-Tiergarten, close to the Neue Nationalgalerie. Opening hours: Tue – Fri 15:00 – 19:00 Sat + Sun 14:00 – 18:00 All contact details of Galerie VBK can be further down, below the artist list. Artists of the Galerie VBK A ameret Marion Angulanza Michael Augustinski B Bettina Baer Jutta Barth Monika Bartsch Silke Bartsch Viola Bendzko Sandra Becker Gerda Berger Birgit Borggrebe Catherine Bourdon Peter Bradtke Conrad Brockstedt BUCCO (Otto Bock) C Sandy Cheyne Barbara Czarnojahn D Christoph Damm Ute Deutz David Dibiah Dagmar Diekmann Norma Drimmer E Christian Ebel Ebrahim Ehrari Burghild Eichheim F Ute Faber Claus Feldmann Ludvik […]Schöneberger Ufer 57, 10785 Berlin-MitteGalerie Verein Berliner KünstlerContemporary ArtDrawingFilm/VideoPaintingPhotographyPresented: G-SponsorsSculpture

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Caravaggio – Cupid as Victor - ART@Berlin (2024)

FAQs

What did Caravaggio enjoy painting the most? ›

Overall, Caravaggio enjoyed painting religious scenes, still life and genre scenes, as well as portraits. His innovative style and ability to breathe life into his subjects made him a truly influential artist of his time.

Where did Caravaggio study? ›

Caravaggio trained as a painter in Milan before moving to Rome when he was in his twenties. He developed a considerable name as an artist and as a violent, touchy and provocative man. He killed Ranuccio Tommasoni in a brawl, which led to a death sentence for murder and forced him to flee to Naples.

How did Caravaggio feel about ancient sculpture and the paintings of Raphael? ›

Caravaggio "despised" ancient sculptures and Raphael's paintings, wrote a contemporary biographer.

What was Caravaggio's masterpiece? ›

Overlapping the Cerasi Chapel commission, Caravaggio commenced work in earnest on his monumental, and possibly his most revered Roman masterpiece, The Entombment of Christ (1601-03) for the church of Santa Maria in Vallicella, Rome.

Was Caravaggio a religious man? ›

Many, upon contemplating his paintings would probably come away convinced of Caravaggio's saintly disposition or of his profound devotion to the mysteries of the Christian faith.

Who was the female student of Caravaggio? ›

Artemisia Gentileschi was an early Italian Baroque painter, and the only female follower of Caravaggio, whom she worked with in Italy in the early 17th century.

Who was Caravaggio inspired by? ›

Drawing from the Franciscan tradition of Carlo Borromeo, who was named archbishop of Milan in 1565, Caravaggio turned his eye to the forgotten and the outcast. In his canvases, Andrew Graham-Dixon observes, “Christ and his followers looked a lot more like beggars than cardinals.”

Why was Caravaggio's work shocking? ›

Excessive realism

He made fortune tellers and card players the subjects of his works – until then, scenes of everyday life were considered too insignificant to be represented in painting. In his religious works, he used real-life models, including the destitute, beggars, and labourers, to represent biblical figures.

Why did Caravaggio change his name? ›

Answer and Explanation: Caravaggio did not explain why he changed his name. But art scholars assume that he took the name of the town of his youth because of his name at birth. Caravaggio was born and named by his parents Michelangelo Merisi.

Why did Caravaggio flee Rome? ›

On May 28, 1606, Caravaggio and three of his cohorts got into a brawl in Rome. The occasion was a tennis match, but there were likely gambling debts involved. Although Caravaggio was only wounded, he had killed one of his opponents and needed to flee Rome.

What is interesting about Caravaggio? ›

Caravaggio (byname of Michelangelo Merisi) was a leading Italian painter of the late 16th and early 17th centuries who became famous for the intense and unsettling realism of his large-scale religious works as well as for his violent exploits—he committed murder—and volatile character.

What did Caravaggio use in his paintings? ›

Caravaggio – Stratigraphy

quick and loose brushstrokes of oil color that define the composition in every detail. The painting is built with color paste and not by layers (“impasto a corpo” technique). egg tempera highlights, finishing layers and light brown or black glazes.

Who was the painter who killed a pimp? ›

Caravaggio, the artist as a murderer!

The death of Ranuccio Tomassoni in May 1606 followed a disputed game of tennis. Tomassoni was a well-known pimp to the prostitutes Anna Bianchini and Fillide Melandroni who had both modelled for the artist.

What were the most important visual characteristics of Caravaggio's paintings? ›

His subdued palette, half-length figures, and magnification of the picture-plane to create intimate, relatable compositions contributed to Caravaggio's widespread appeal during the first three decades of the 17th century in Europe.

References

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